Crayons are a gateway drug. To most adults, the sight and smell of crayons produce specific memories of childhood. The twist in the road to nostalgia is the creation of a new object, from a medium in which it was not intended. This element of unexpected interaction and play consumes me.
The Fluxus movement in pursuit of appealing to senses other than the visual led the curve of my designs. Because I am in pursuit of larger ideas, the playful aspect of the medium is integral to the works of art created. I can subversively insert a concept that may bloom well after the initial recognition of the form as a familiar children’s implement.
I am interested in identifying iconic objects that society perceives to fit one role and then reintroducing them in different subtexts. Intriguing questions arise when an object associated with childhood, such as a crayon, is used to address issues dealing with more adult matters, such as sexuality, religion, or social hierarchy. The sculptures are childlike in their curious approach to the object as icon, but beguiling and satisfying to me in the use of pure color as form. Larger room installations also add the element of playing to the olfactory sense, as the scent of the wax completely saturates the environment. My intent is to continue to seriously create art that looks at itself unseriously.