bio
I am interested in iconic objects that society perceives to fit one role, and then reintroducing them in different subtexts. There are several questions that arise when an object(such as a crayon) that is so often associated with childhood is used to address issues dealing with more adult matters. The sculptures are childlike in their curious approach to the object as icon, but intriguing and satisfying to me in the use of pure color as form. Larger room installations also add the element of playing to the olfactory sense. I hope that this body of work is my most successful in adding to the greater visual dialogue of original art. My intent is to continue to seriously create art that looks at itself unseriously.
Some of my influences are H.C. Westermann, Jasper Johns, Jim Dine, Cai Guo-Qiang, Sandy Skoglund, Liza Lu, David Mach, Charles Ray, Magritte, Duchamp, Jeff Koons, Damien Hirst, Robert Rauschenburg, Banksy, and Ai Weiwei.
I am the only individual in the world with an account with Crayola. I get these colors individually packed 3000 to a case. I cut down the sticks to the length I need by hand with either double guillotine cigar cutters or large breed dog nail clippers. I then bond the paper, not the wax, to a form I have carved or cast, completely enveloping the form. Lately I have been casting the completed crayon sculptures in a silicone jacket mold with a two-part epoxy resin and then painting the resin sculpture to look like the original, for a small edition. The sculptures beg to be touched, so when they are cast it makes the handling of them that much easier.
